Dekhe amar jeno ki holo…dhonta ek seconde lohar mato sakto hoye gelo.aami wor mathar kache sabdhane ekta tool niye boslam tarpar saamner table theke...wor face cream niye amar hard dhontate lagiye aaste aaste khinchte suru korlam..ektu pare aami sahas.Kore amar dan haat diye wor dan dhuder opor hat bolate laglam aar alpo chap dite laaglam….ki norom! Aar tultule….ei ginish je ke pabe ke jane…aaste aaste wor sara sarire haat bolate laaglam…wor navir kache giye nighter opor diyeo tar depth bujhte. She’d taken considerable trouble, not only in the writing but in the calligraphy she inscribed it with. She used an intricate, spidery style with long extenders, giving it the sort of elegance you see in eighteenth-century documents. The border consisted of flowers hand-drawn with a fine-tipped pen. I saved that letter, and have it to this day. She had a quality that I’d seen in very few other women, then or afterward. She seemed extraordinarily graceful to me. Every move she made seemed like a. More

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